Official Review: Wendy Won't Go by Amanda M. Lyons
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Official Review: Wendy Won't Go by Amanda M. Lyons

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We are first introduced to Billy, a writer who works from home. His daughter Sarah resembles her mother - her mother, Billy’s now-dead wife, Wendy. And Wendy visits them often, a strange, misshapen version of her former self. She never speaks, just stares with cold, angry eyes. Thus begins this tale of horror and the supernatural. A frightening and sinister event follows, and then the narrative takes us back to the time before Wendy’s death, and gives us some insight into Wendy’s strange and regular visits since her passing. Without giving anything away, this portion of the story is very well written, containing some disturbing imagery and suspense which will play on the nerves of the more squeamish, but you’ll keep reading anyway.
There are only three characters in the story: Billy, Sarah, and Wendy. The character of Billy is well developed for a short story. We are allowed to see his concerns, worries, fears, sadness, and loneliness. We feel pathos for his character; even as we are repulsed by the evil which has infiltrated his life, we are allowed to feel sorry for him because of what he lost, and what his once dear and loving wife has become. The character of Sarah is less developed; we don’t get to know her as well. This is not necessarily a weakness in the story, but knowing her better would perhaps have added more layers to the story and given more impact to the ending. Wendy remains a mystery, as well she should.
The narrative moves along quickly and holds the reader’s attention. My ebook comes in at 16 pages, so it can easily be read in one sitting. There are no unnecessary details; no long, drawn-out descriptions; nothing to impede the narrative from speeding along to its climactic conclusion. There are several places in the story where the suspense is quite good; you’ll be reading with the swiftness of a gazelle to find out what’s going to happen. This is really the strength of the story and of Ms. Lyons’ writing. I didn’t find the story very frightening – although, admittedly, I’m not easily frightened. After finishing, I could easily turn the light off, roll over, and sleep like a baby. Nothing here to keep me up at night.
Of course, we are offered an explanation for the strange goings-on in Billy’s house, for the haunting, and for the final climax of the story. I suppose there is no concrete explanation possible for such fictitious, paranormal hocus-pocus, but the explanation furnished was, for me, less than completely satisfying. I still had a few “whys” in my mind after it was all said and done.
Ms. Lyons is a capable writer. I was glad to see no run-on sentences, no bad grammar, no improper punctuation. These days, it seems that it is becoming rarer to find writers who can actually express ideas skillfully and effectively. Which is why the next point is unfortunate, but maybe I’m just being picky:
There are, what seem to me, arbitrary and unnecessary changes in verb tense (past & present) throughout the story. This is not wrong in itself; it can be an effective literary device. With Ms. Lyons’ skill as a writer, I can hardly believe this was an accident. These changes in tense don’t seem to have any rhyme or reason. For me, they don’t add anything to the narrative. If anything, they detract and distract from it. For example:
“He walked past the bookshelf and through the doorway. He and Sarah’s rooms are up above. With an effort he resisted the urge to look back down the hall to see if she has followed.” Walked, are, resisted, has. Why different tenses? I’m not sure.
Another:
“At first he hoped that it was only this; that somehow the pain had been too strong and that was all, but the truth is all too clear as she rocks back in the bed.” Hoped, had been, was, is, rocks. Again, why the change in tense? The next sentence is past tense, but subsequent sentences in this same paragraph contain mixed tenses. One paragraph, later in the story, contains all past tense verbs except one. I’m not a stickler for rules; any literary device, if it adds to the effectiveness of the narrative, is okay with me. Break the rules. Be creative. However, the changes in tense, which occur so frequently in this story, don’t contribute anything helpful to the narrative.
Okay, enough griping.
Wendy Won’t Go is well-written and suspenseful. I give it 3 out of 4 stars. I can’t say it won’t scare you. Maybe it will. Maybe you will be more satisfied with the end than I was. It wasn’t the ending itself that I was slightly disappointed with, but the explanations given for the spooky goings-on in the story. For me, it just didn’t all add up to a nice, logical, sensible package. Like a Scooby-Doo episode. But maybe it’s not supposed to. Maybe leaving a dash of mystery is what will keep some readers awake at night.
***
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- PashaRu
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Thank you!npandit wrote:Great review!

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I'm still looking at how to get more into since it would be a good job being a stay at home mom.
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I also don't like unnecessary changes in verb tense and typos bother me as well. The last few books that I have reviewed were ok on this front. I did mention in some of my other reviews the errors in them.
Trisha, good luck!

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Thanks Galigali wrote:Thank you for the lovely review. I don't like books that short, so I will pass.![]()
I also don't like unnecessary changes in verb tense and typos bother me as well. The last few books that I have reviewed were ok on this front. I did mention in some of my other reviews the errors in them.
Trisha, good luck!

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Good morning (or evening) to you!PashaRu wrote:Thanks Galigali wrote:Thank you for the lovely review. I don't like books that short, so I will pass.![]()
I also don't like unnecessary changes in verb tense and typos bother me as well. The last few books that I have reviewed were ok on this front. I did mention in some of my other reviews the errors in them.
Trisha, good luck!It's more like a short story, and I enjoy short stories in between longer reads. I usually don't read this genre, so it was interesting to me. Changing verb tense is a stylistic choice; if it contributes to the narrative in some way, I'm okay with it. When it's too frequent and/or arbitrary it annoys me. Typos, bad grammar, improper punctuation, etc., are quite a different story. These are not choices but mistakes. I don't have a lot of tolerance for that.

I see. Short stories aren't my cup of tea, but I may read them if they are good.

Since English is my second language, I am more "tolerant" on such mistakes. However, It does bother me if there are too many errors in the book.
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I certainly didn't mean to imply that I look critically at anyone that doesn't speak/write English perfectly. I teach English as a second language, and almost every day I am in contact with people who make mistakes when they speak. I applaud and appreciate their efforts. I speak Russian, but not perfectly all the time (it is my second language), so I am not unsympathetic.
But I think that when someone chooses to write and publish a book in English, he should take reasonable steps to ensure that the language is used "properly"; that is, that grammatical, spelling, and punctuation errors are eliminated (unless they are intended for stylistic reasons). Being a good author is one thing, being a good editor is quite another skill set.