Review of Azazel's Public House
Posted: 25 Jan 2023, 09:03
[Following is an official OnlineBookClub.org review of "Azazel's Public House" by Marc Arginteanu.]
I've read books about demons living in the bowels of churches, cemetery graves, and the attics of old, crusty homes. But this is the first book I’ve read about a demon running a local bar. In Azazel’s Public House, author Dr. Marc Arginteanu offers a new spin on deviltry by featuring a demonic bar owner who delights in making the lives of unwilling suspects a living hell.
Pete is a Preta, a human who has transformed into a demon. Ages old, Pete is magically bound to the wood of an ancient tree carved into the door of a rundown bar he manages. Azazel's Public House squats alongside the pungent Fresh Kills landfill in Staten Island, New York City. Forced to remain within a stone’s throw of the wood, Pete enters the minds of Staten Islanders via astral projection. Then, using his mental prowess, Pete compels his victims to perform dark deeds in hopes that should they generate enough ill will on his behalf, he might be “promoted” by the “guy downstairs,” ultimately being permitted to roam about freely in a physical state.
Azazel’s Public House is peppered with enough humor to have made me laugh out loud. There are great lines such as, “Pete’s ever-seeking spirit galloped upon his stallion of stink towards Azazel’s Public House.” But this is no comedy. The author features many heinous crimes in the book, including murder and the forced prostitution of young runaway girls. Pete is a nasty piece of work, and he does his best to tempt his unwary prey into a life of evil.
What I liked most about this book was Dr. Arginteanu’s creation of vivid characters. There's Carl, the gawky teenager who accidentally causes his best friend, Anthony, to stumble during a mock superhero battle, then surrenders himself into Pete's clutches by running from the scene rather than seeking help for the young man as he withers away in a pool of his blood. Carl befriends Gina, the strong-willed, pot-smoking high schooler whose mother, Joan, is Pete’s victim, wasting away in a coma. Richard, one of Pete's henchmen, is a drug dealer, pimp, and fixer whose job often requires him to rid Azazel's of any fresh corpse deposited by Pete during a fit of rage. And, of course, there's Pete, who is as smarmy as any demon can be. The author has created each of these, and many others, as believable individuals participating in an unbelievable series of events.
Dr. Arginteanu captures the essence of the Staten Island neighborhood during the 1980s before Internet activities absorbed the daily life of its youngsters. Azazel's is realistically drawn from its dark interior and wooden bar to its Valkyrie of a barmaid. You can almost feel the dust in your throat from the barren Tottenville High School athletic field as it’s kicked up during football practice. The sense of exhaustion and personal defeat permeates the adults in the story whose glory days are long gone, a fitting metaphor for life beside the dump. The looming mountain of trash from the landfill is omnipresent visually and olfactorily.
What I didn't like about the book was how the author infused too much of his actual profession into the book. A neurosurgeon in real life, Dr. Arginteanu carefully delineates various surgical procedures that do little to move the story. This technical jargon is unnecessary and could have been pared down a bit. In addition, the novel is filled with many errors, mostly in punctuation and capitalization. This book was not professionally edited. Sadly, the poor editing takes away from the enjoyment of the story.
Anyone who enjoys a good demonic horror story should find this book entertaining. Like me, if you have been a New Yorker and have driven through Staten Island and alongside the Fresh Kills landfill on multiple occasions, you may find a book about New York's fifth borough enjoyable. However, this book may not be for you if you are offended by horrifying death scenarios or do not enjoy extensive drug use or excessive profanity.
I award Azazel’s Public House a rating of 4 out of 5 stars, primarily because of the number of errors and the overuse of technical jargon. Although the story comes to a satisfying end, I suspect there might be a sequel. If so, I hope Dr. Arginteanu secures the services of a professional editor to make the reading experience much more enjoyable.
******
Azazel's Public House
View: on Bookshelves | on Amazon
I've read books about demons living in the bowels of churches, cemetery graves, and the attics of old, crusty homes. But this is the first book I’ve read about a demon running a local bar. In Azazel’s Public House, author Dr. Marc Arginteanu offers a new spin on deviltry by featuring a demonic bar owner who delights in making the lives of unwilling suspects a living hell.
Pete is a Preta, a human who has transformed into a demon. Ages old, Pete is magically bound to the wood of an ancient tree carved into the door of a rundown bar he manages. Azazel's Public House squats alongside the pungent Fresh Kills landfill in Staten Island, New York City. Forced to remain within a stone’s throw of the wood, Pete enters the minds of Staten Islanders via astral projection. Then, using his mental prowess, Pete compels his victims to perform dark deeds in hopes that should they generate enough ill will on his behalf, he might be “promoted” by the “guy downstairs,” ultimately being permitted to roam about freely in a physical state.
Azazel’s Public House is peppered with enough humor to have made me laugh out loud. There are great lines such as, “Pete’s ever-seeking spirit galloped upon his stallion of stink towards Azazel’s Public House.” But this is no comedy. The author features many heinous crimes in the book, including murder and the forced prostitution of young runaway girls. Pete is a nasty piece of work, and he does his best to tempt his unwary prey into a life of evil.
What I liked most about this book was Dr. Arginteanu’s creation of vivid characters. There's Carl, the gawky teenager who accidentally causes his best friend, Anthony, to stumble during a mock superhero battle, then surrenders himself into Pete's clutches by running from the scene rather than seeking help for the young man as he withers away in a pool of his blood. Carl befriends Gina, the strong-willed, pot-smoking high schooler whose mother, Joan, is Pete’s victim, wasting away in a coma. Richard, one of Pete's henchmen, is a drug dealer, pimp, and fixer whose job often requires him to rid Azazel's of any fresh corpse deposited by Pete during a fit of rage. And, of course, there's Pete, who is as smarmy as any demon can be. The author has created each of these, and many others, as believable individuals participating in an unbelievable series of events.
Dr. Arginteanu captures the essence of the Staten Island neighborhood during the 1980s before Internet activities absorbed the daily life of its youngsters. Azazel's is realistically drawn from its dark interior and wooden bar to its Valkyrie of a barmaid. You can almost feel the dust in your throat from the barren Tottenville High School athletic field as it’s kicked up during football practice. The sense of exhaustion and personal defeat permeates the adults in the story whose glory days are long gone, a fitting metaphor for life beside the dump. The looming mountain of trash from the landfill is omnipresent visually and olfactorily.
What I didn't like about the book was how the author infused too much of his actual profession into the book. A neurosurgeon in real life, Dr. Arginteanu carefully delineates various surgical procedures that do little to move the story. This technical jargon is unnecessary and could have been pared down a bit. In addition, the novel is filled with many errors, mostly in punctuation and capitalization. This book was not professionally edited. Sadly, the poor editing takes away from the enjoyment of the story.
Anyone who enjoys a good demonic horror story should find this book entertaining. Like me, if you have been a New Yorker and have driven through Staten Island and alongside the Fresh Kills landfill on multiple occasions, you may find a book about New York's fifth borough enjoyable. However, this book may not be for you if you are offended by horrifying death scenarios or do not enjoy extensive drug use or excessive profanity.
I award Azazel’s Public House a rating of 4 out of 5 stars, primarily because of the number of errors and the overuse of technical jargon. Although the story comes to a satisfying end, I suspect there might be a sequel. If so, I hope Dr. Arginteanu secures the services of a professional editor to make the reading experience much more enjoyable.
******
Azazel's Public House
View: on Bookshelves | on Amazon