Review of The Big One
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Review of The Big One
Many inhabitants of the Pacific Northwest of North America know that a massive earthquake will hit the region. It’s a matter of when, not if. The city of Seattle, Washington, sits directly atop a fault line that will be affected when the Cascadia subduction zone off the Pacific coast releases its ever-building pressure. Beginning in 2027, The Big One kicks off with a 9.5 magnitude earthquake that results in massive loss of life, destroys most of Seattle, and sparks wildfires that burn millions of acres. Three years later, Sarah, a journalist who escaped the destruction, and Tim, a videographer, set out from Kansas toward the devastation to document the stories of survivors still in the region. The U.S. government keeps the area under quarantine, claiming that terrorists from the fledgling country of Cascadia threaten national security, so Sarah and Tim require special passes to travel across the border. The security is just as strict on the Cascadia side, and only the name of a resident vouching for them allows them entry. Skye Flower, the interim governor of Cascadia, is delighted to see them, sits for the first interview, and provides resources to continue their journey to get the truth out to the rest of the world. Joy and suspicion greet Sarah and Tim as they drive further into the area, and odd and sometimes hostile behavior keeps them tense and worried. The situation becomes more uncomfortable and unstable as the story progresses.
A natural disaster is not selective. Survival often depends on sacrifice, determination, and cooperation. This is not the time for politics or selfishness, as the book makes very clear. The premise is believable, disturbing, and possibly not far away. Community societal norms and compassion may be lost to necessity, fear, and greed, and the author follows this theme.
Unfortunately, poor editing interferes with the readability. There are problems with continuity within and between scenes, faulty sentence construction, and awkward word selection, requiring some time to understand without re-reading paragraphs. The lack of any separation between scenes, a blank line, or a symbol, for example, confuses, disrupting the thread of the story. The subject is interesting, but the editing needs some serious help. The Big One is barely worth reading, but prepare for a bumpy ride. It is suitable for young adults and older adults; there are no sex scenes, and profanity is minimal. I rate this two out of five stars.
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The Big One
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- Williams Jaden
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