The Goldfich by Donna Tartt - Review & Discussion
- Seapheasant
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The Goldfich by Donna Tartt - Review & Discussion
Donna Tartt has several passages in the book where the words of the art expert ring true. Does it make anyone else want to go to the permanent collection portion of their local fine art museum to look at the older works?
- Fran
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I'm roughly 60% into The Goldfinch & I know what you mean about the old masters. To my shame I'd never even heard of Carel Fabritius until reading this book.Seapheasant wrote:i am 3/4 of the way through the book, and one of the most striking things to me about it, is how well it , i dare say, 'promotes' the love of old master paintings and drawings. There has been so much hype of late, surrounding the contemporary art world, but this book asks us to take another look at the old masters like Rembrandt, Van goyen, Claesz, etc. i know there were long lines to see the actual painting by Fabritius of the Goldfinch, at the Frick in NY.
Donna Tartt has several passages in the book where the words of the art expert ring true. Does it make anyone else want to go to the permanent collection portion of their local fine art museum to look at the older works?

(I hope you don't mind my changing the title of the topic)
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The book opens in a hotel room in Amsterdam and then moves backwards in time to New York and a major traumatic event that dictates the subsequent life of a young boy, Theo, and everyone associated with him. Following this event there is a description of the disordered condition Theo finds himself in which IMO is one of the most powerful pieces of descriptive writing I have ever read but the rest of the book was in many ways tedious reading and I honestly could not wait to get it finished.
I liked the story, I liked the characters but, for me, the book as a whole package suffers seriously from a lack of editing and for that reason I would give it a 3/5* rating.
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I loved the "The Little Friend", but quit "The Secret History". I didn't start this book as yet, but based on your review I won't be in any rush to read it. I don't have patience for tedious reading.Fran wrote:First off let me say I loved The Secret History & The Little Friend but I have to say I was disappointed with The Goldfinch. Not that the story isn't a good one well executed but IMO the book suffers from a lack of editing and could have been about 200 pages shorter. I loved the analysis of great paintings and I really liked the detailing of the coincidences and accidents that dicated their survival for us today.
The book opens in a hotel room in Amsterdam and then moves backwards in time to New York and a major traumatic event that dictates the subsequent life of a young boy, Theo, and everyone associated with him. Following this event there is a description of the disordered condition Theo finds himself in which IMO is one of the most powerful pieces of descriptive writing I have ever read but the rest of the book was in many ways tedious reading and I honestly could not wait to get it finished.
I liked the story, I liked the characters but, for me, the book as a whole package suffers seriously from a lack of editing and for that reason I would give it a 3/5* rating.
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I traded in my copy of the museum catalog for the recent "Girl With a Pearl Earring" exhibit and coincidentally bought the Kindle edition of this book for a couple of dollars less. If you don't know much about Dutch art, that would be a good book to combine with this.
I've taken numerous art history classes over the years; they were wonderful contrasts to my day jobs. So I was very familiar with the painting and others listed in the text. It really was a treat to see it at the exhibit. (I don't recall long lines in San Francisco and I went four or five times. Will be interesting to see if NYC comes out in droves to see the Anders Zorn exhibit later this month).
I, too, find much of the book tedious but now I'm at 79% and am into it again and will finish it I decided to read it because of reviews saying it is the best book of 2013; I'm always trying to get some cultural literacy.

There are some interesting comments in Amazon one star reviews. Some say the timeline and places in NYC are inaccurate; it's hard to figure what years the 27-yr-old Theo is describing. I don't relate well to Theo's age range but find the idea that a fictional narrator can't always be trusted an interesting way of looking at it. At age 16 he was alcoholic and later became a drug addict. It reminds me of an interpretation of the Robert diNero character in "Once Upon a Time in America"; the whole plot/flashback may have been an opium-induced dream.
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I see it as literally showing how alcohol, drugs, PTSD, child neglect, fate (randomness), etc. can destroy artistic (written) expression just as Fabritius' life was cut short and most of his creative output was destroyed. Or maybe a reflection of how life can become more difficult as we go along.
"And that is why I've chosen to write these pages as I've written them ... between truth and untruth ... is it tolerable to be here and writing this at all."
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Firstly i must admit i nearly never read it. I started it, seemed to read about a million pages and they had only walked down the street. I ended up putting it down and reading two other books inbetween, something i rarely do. Anyway, i digress, once i got into the book i enjoyed it, particularly where he meets up with Boris and their exploits, though the last section in Holland was a dry read.
Am i glad i read it, yes. Would i recommend it.........no.
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Anyone else think the dry/tedious parts are necessary to telling the story? I read all about celebrities who OD but this book gave me the inescapable reality of what leads up to it in moment by moment excruciating detail. Will Theo OD sometime in the future? The part where he met Boris was fun and filled with friendship but what would happen if he "just said No" to drugs? Could he thrive in his father's house, study hard and head for a brilliant career? Las Vegas is an interesting metaphor? Would he be better off in a foster-care system? Could his life unfold another way or is fate leading the way?
Will Audible.com come out with an abridgment? For those who read Tartt's other books, do you recommend reading them after this one?
A Georgia O'Keeffe exhibit just opened near me. I don't much care for the artist's work but will go see it next week. I have no doubt one or two paintings will move me. Several times while walking through galleries, I've come upon one of her works, meaningful connections are made with other museum goers, we don't have to look at the label, her style is so recognizable, we share a smile & a chat (even if we dislike the painting).
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My exact feelings also. Too long, too much time spent on side plots. Were were the editors?Fran wrote:IMO the book suffers from a lack of editing and could have been about 200 pages shorter. ..the rest of the book was in many ways tedious reading and I honestly could not wait to get it finished.
I liked the story, I liked the characters but, for me, the book as a whole package suffers seriously from a lack of editing and for that reason I would give it a 3/5* rating.
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