To My Ex Husband
- Circling Turtle
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Re: To My Ex Husband

- Ryan
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Thank you very much, Turtle. I'm glad you enjoyed it and I hope things turn out well for youCircling Turtle wrote:Thanks for a powerful poem. It resonates so clearly with the space I am in at the moment, trying to re-establish my identity after leaving a long term relationship. It is so true what you say about the material remains of a relationship. I love the way in which you use internal rhyme and assonance to play with the tempo and guide the reader's experience and interpretation of the poem. I look forward to reading more of your work sometime soon

- Circling Turtle
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- kimcormack
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-- 20 Jun 2015, 15:57 --
I love it

- Ryan
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Thanks, Kimkimcormack wrote:Awesome postsGreat poem
-- 20 Jun 2015, 15:57 --
I love itWell done my friend.

- DATo
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It seems, judging from the number of responses to this thread, that your poem has generated a lot of interest and appreciation from our board members, and deservedly so. In reading your poem once again I was struck by both the objectivity and the sentimental pathos it evokes. It occurred to me that it reminded me of another poem with a similar theme called Lament by one of our American poets, Edna St. Vincent Millay. Both poems deal with loss as well as the material aspects of said loss. Though your poem and Millay's deal with strikingly different types of events, both narrator's display acceptance of the situation in which they find themselves: one by necessity, the other by default .
I don't know if you are familiar with Millay's poem so I will post it below for your consideration. Comparing your poem with Millay's is meant entirely as a compliment as I consider her one of my country's finest poets.
Lament
BY
Edna St. Vincent Millay
Listen, children:
Your father is dead.
From his old coats
I'll make you little jackets;
I'll make you little trousers
From his old pants.
There'll be in his pockets
Things he used to put there,
Keys and pennies
Covered with tobacco;
Dan shall have the pennies
To save in his bank;
Anne shall have the keys
To make a pretty noise with.
Life must go on,
And the dead be forgotten;
Life must go on,
Though good men die;
Anne, eat your breakfast;
Dan, take your medicine;
Life must go on;
I forget just why.
― Steven Wright
- Ryan
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Thank you so much, DATo. That is indeed a compliment and I'm so happy that my poem is enjoyed by others. I certainly see similarities between the two poems and I love Millay's. I had heard of her, but I'd never read any of her poems. Thank you for sharingDATo wrote:Hello once again ryanj1,
It seems, judging from the number of responses to this thread, that your poem has generated a lot of interest and appreciation from our board members, and deservedly so. In reading your poem once again I was struck by both the objectivity and the sentimental pathos it evokes. It occurred to me that it reminded me of another poem with a similar theme called Lament by one of our American poets, Edna St. Vincent Millay. Both poems deal with loss as well as the material aspects of said loss. Though your poem and Millay's deal with strikingly different types of events, both narrator's display acceptance of the situation in which they find themselves: one by necessity, the other by default .
I don't know if you are familiar with Millay's poem so I will post it below for your consideration. Comparing your poem with Millay's is meant entirely as a compliment as I consider her one of my country's finest poets.
Lament
BY
Edna St. Vincent Millay
Listen, children:
Your father is dead.
From his old coats
I'll make you little jackets;
I'll make you little trousers
From his old pants.
There'll be in his pockets
Things he used to put there,
Keys and pennies
Covered with tobacco;
Dan shall have the pennies
To save in his bank;
Anne shall have the keys
To make a pretty noise with.
Life must go on,
And the dead be forgotten;
Life must go on,
Though good men die;
Anne, eat your breakfast;
Dan, take your medicine;
Life must go on;
I forget just why.

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The poetic voice here seems to at once, affectionate, mildly resentful and self deprecating. It's as if the subject acknowledges things imposed, (" ... kept gestures ..." " ... My hands are not my own ..." "... my language is yours..." In sum to me the poem suggests how much is lost and gained in a complex relationship that for all its ambivalent feelings becomes too painful to maintain. The poem suggests more than this, I'm sure, to other readers and will to me also, perhaps, on subsequent readings
- Sophieangelica777
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- GirlAloneWithHerself
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This poem is absolutely incredible! I love it. It's a subtle dance between disliking the ex and appreciating everything that he has given.ryanj1 wrote:Hey, people! I wrote this last year and it's my favourite poem. Please let me know what you think!
______________________________________________________________________________________________________
To My Ex Husband,
I notice the books on the shelf aligned
To the edge. The knives, forks and spoons
All know their place. The towels hang folded
On the radiator, and shoes embrace. I catch
Words from my mouth like insects
And bottle them up:
Puerile, selfish, neglectful --
All yours. I kept the gestures you gave me.
My hands are not my own; my language
Is yours -- they go in the box. A break.
You said to try two sugars instead of one --
The second still makes it the more sweet.
The music … I hated jazz before its swing
Propelled me into your stride. You hated opera.
I never loved poetry, but to you I address this.
The book of sonnets will stay -- the rest will go.
Your clothes, pictures, jewellery, sprays, films,
Gadgets -- all in the box. The sonnets will stay.
By ryanj1
Girl.
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Latoshia
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