What did Cynthia facing constant danger do for the book?
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Re: What did Cynthia facing constant danger do for the book?
It felt like Cynthia recklessly put herself in dangerous situations only to somehow survive them , then place herself into the next one.jessinikkip wrote: ↑21 Jun 2019, 00:54 Any good book is a series of ups and downs. The characters need to face danger and then enjoy a calm before facing danger again. A character who always faces danger, to me, is a poorly written character.
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The book is filled with a constant up, rarely down because of Cynthia's decisions.Ferdinand_otieno wrote: ↑22 Jun 2019, 16:34It felt like Cynthia recklessly put herself in dangerous situations only to somehow survive them , then place herself into the next one.jessinikkip wrote: ↑21 Jun 2019, 00:54 Any good book is a series of ups and downs. The characters need to face danger and then enjoy a calm before facing danger again. A character who always faces danger, to me, is a poorly written character.
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I agree. Apart from anything else, it becomes monotonous after a while. Empathy fatigue sets in!jessinikkip wrote: ↑21 Jun 2019, 00:54 Any good book is a series of ups and downs. The characters need to face danger and then enjoy a calm before facing danger again. A character who always faces danger, to me, is a poorly written character.
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Empathy fatigue, yes. It is a serious case that most readers suffer in more than one book in their course of their reading. For me, befor this book, it was the ASOIAF books by George R.R.Martin. after Ned Stark and the Red wedding, your kind of desensitised against death.... of any character.Brendan Donaghy wrote: ↑23 Jun 2019, 06:25I agree. Apart from anything else, it becomes monotonous after a while. Empathy fatigue sets in!jessinikkip wrote: ↑21 Jun 2019, 00:54 Any good book is a series of ups and downs. The characters need to face danger and then enjoy a calm before facing danger again. A character who always faces danger, to me, is a poorly written character.
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First, she cheated on her boyfriend by going. Second she kept placing herself in such situations with no thought towards her safety or the potential dangers.diana lowery wrote: ↑23 Jun 2019, 07:21 I didn't like Cynthia either, and at first, when she went to Sky's apartment, I thought that maybe she was just a good judge of character. Later I rationalized that maybe because she was so trained in self-defense that she was over-confident in her ability to take care of herself. Later, I decided that she was just dumb.
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I am not sure if going to the apartment was cheating, but what happened afterward was cheating.Ferdinand_otieno wrote: ↑23 Jun 2019, 11:21First, she cheated on her boyfriend by going. Second she kept placing herself in such situations with no thought towards her safety or the potential dangers.diana lowery wrote: ↑23 Jun 2019, 07:21 I didn't like Cynthia either, and at first, when she went to Sky's apartment, I thought that maybe she was just a good judge of character. Later I rationalized that maybe because she was so trained in self-defense that she was over-confident in her ability to take care of herself. Later, I decided that she was just dumb.
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In a series, I agree, but in one book? Being in danger so much made it near impossible to finish without getting to a point where you're just tired of it.Ferdinand_otieno wrote: ↑23 Jun 2019, 10:42Empathy fatigue, yes. It is a serious case that most readers suffer in more than one book in their course of their reading. For me, befor this book, it was the ASOIAF books by George R.R.Martin. after Ned Stark and the Red wedding, your kind of desensitised against death.... of any character.Brendan Donaghy wrote: ↑23 Jun 2019, 06:25I agree. Apart from anything else, it becomes monotonous after a while. Empathy fatigue sets in!jessinikkip wrote: ↑21 Jun 2019, 00:54 Any good book is a series of ups and downs. The characters need to face danger and then enjoy a calm before facing danger again. A character who always faces danger, to me, is a poorly written character.
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Agreed. In the context of the book, her going to the apartment was in itself more of an "Might as well relax somewhere comfy while I wait for my car thing". It was the sex that was the cheating and I'm still not sure if I'm comfortable with how it happened in the first place.diana lowery wrote: ↑23 Jun 2019, 12:48I am not sure if going to the apartment was cheating, but what happened afterward was cheating.Ferdinand_otieno wrote: ↑23 Jun 2019, 11:21First, she cheated on her boyfriend by going. Second she kept placing herself in such situations with no thought towards her safety or the potential dangers.diana lowery wrote: ↑23 Jun 2019, 07:21 I didn't like Cynthia either, and at first, when she went to Sky's apartment, I thought that maybe she was just a good judge of character. Later I rationalized that maybe because she was so trained in self-defense that she was over-confident in her ability to take care of herself. Later, I decided that she was just dumb.
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Hence the unique name Empathy fatigue.Nisha Ward wrote: ↑23 Jun 2019, 19:19In a series, I agree, but in one book? Being in danger so much made it near impossible to finish without getting to a point where you're just tired of it.Ferdinand_otieno wrote: ↑23 Jun 2019, 10:42Empathy fatigue, yes. It is a serious case that most readers suffer in more than one book in their course of their reading. For me, befor this book, it was the ASOIAF books by George R.R.Martin. after Ned Stark and the Red wedding, your kind of desensitised against death.... of any character.Brendan Donaghy wrote: ↑23 Jun 2019, 06:25
I agree. Apart from anything else, it becomes monotonous after a while. Empathy fatigue sets in!
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A lot of readers experiencesEmpathy fatigue. When you just get tired of routing for the protagonist and eant them dead, mainly because they keep putting themselves in dangerous situations.Melissa Breen wrote: ↑23 Jun 2019, 19:26 I think it was a bit much, while it could have worked as a way to keep the reader on their toes, I don't think it was pulled off that way and just got a bit annoying