JudasFm wrote: ↑09 Jun 2020, 00:22
Hi guys!
My "Ask the Author" thread has taken off (YAY! Keep the questions coming, guys!
) and it seems a lot of people want to know about the inspiration behind my writing
Project Tau.
Given I think it would be very disrespectful of me to just copy and paste identical answers to that same question, I created this thread to make a compilation of all my answers to that question, and answer it once and for all
In future, anyone asking about the inspiration behind
Project Tau in "Ask the Author" will be politely directed here
The Inspiration Behind Project Tau (AKA: Where I Got The Idea From)
Project Tau was written in 2006, ten years before being published, at a time when CGI was nowhere near as advanced as it is now. I had a literary agent (who I later fired) who expected her clients to come up with reasons why a book would work as a movie. Sci-fi back then was very high-budget compared to other genres, so I set out to write a sci-fi book that could be adapted on a low budget. This meant nothing in the way of epic space battles (which I hate writing anyway!) or alien races/civilizations (which I sort of like writing) and no elaborate planetary sets.
It also meant that Tau couldn't be some kind of weird-looking genetic experiment
He had to be completely human, and so he had to be a clone, and playable by any human actor. Making it about human cloning also means that none of the scientists raise an eyebrow at Kalin's sudden arrival and believe Mason/Dennison's lies about him being a Project.
So honestly, there was no single moment when I sat down and said, "Okay, I want to write a novel about cloning." I do think that a lot of other sci-fi staples - huge space wars, rebellions, androids everywhere, colonization etc - have been done to death, which is one reason why I kept the tech levels in Project Tau deliberately low (that, and there are times when using a pen and paper makes far more sense than a computer
The history of the worlds is explained a lot more fully in the sequels, but there are several valid, in-universe reasons why it's not as amazingly hi-tech as you might expect). Out-of-universe, AI and robots really irritate me, which is why I deliberately wrote cultural and historical reasons to avoid their existence in Project Tau.
I also have a big, big problem with dystopian settings. Am I the only sci-fi writer who's actually
optimistic about the future? Granted, what happens to poor Kalin isn't particularly nice, but that's a very extreme example; any normal GenTech lab would have had him arrested and he'd probably have been expelled from college. It was just his stupendously bad luck to run into the likes of Mason and Dennison. For people saying that it would require an Evil Dystopia for this to happen, people are being enslaved, tortured, kidnapped and murdered even as I write this (and even as you read it) yet I wouldn't consider 21st-century Earth to be an Evil Dystopia. That said,
Project Tau and every single one of its sequels are
not written and shouldn't be taken as any kind of analogy; at the end of the day, I wrote them purely to entertain, not to preach or instruct
Anyway, like I said, I wanted to try and write a sci-fi story that was a little different, and which didn't rely on a lot of super, hi-tech CGI. These days, it's not such an issue, but Project Tau was written in the mid-2000s, when the effects were far more expensive and nowhere near as good as they are today. So I went with cloning as a way to accomplish this, as Tau could be portrayed by a normal human actor, and it built from there. It also made it much more plausible for Kata/Kalin to be accepted as another clone.
The final part of it was that I wanted to try something new: I wanted to see if I could make the readers sympathize with the scientists at first, and hope they could regain control over Tau and Kata, or that someone would come to their rescue, and then twist things around so that by the end of the book they'd be clamoring for Dennison's blood. This is the entire reason why the beginning of the book is actually closer to the end in terms of time.
So there you have it, folks. A desire to write a sci-fi book that wasn't dystopian, and that didn't feature AI, robots, giant spaceships, epic space battles, or aliens, and one that could be adapted with a minimum of cost, written 14 years ago at a time when budget was more important to the studios than it is now