Review of Rhythm of Resistance
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Review of Rhythm of Resistance
"Rhythm of Resistance" by Eroms Ehiagwina explores the significant contribution of black musicians in the Civil Rights Movement between 1957 and 1968.
The book thoroughly analyzes how these artists impacted the cultural and political scenes of the time by integrating insights from history, music, and social change.
Ehiagwina provides in-depth narratives about specific musicians and bands. He discusses songs by famous musicians such as Nina Simone, Sam Cooke, and others from the Motown label. These stories are thoroughly researched and vividly portray historical figures.
The book provides a comprehensive view of the time period by blending musicology, history, and cultural studies.
Although the book focuses on well-known figures, it also highlights lesser-known musicians who were instrumental in the movement.
Ehiagwina mentions recordings, performances, and historical documents.
The book stands out for its extensive historical context. Ehiagwina begins by delving into African musical traditions, detailing their evolution and their profound impact on American music. Understanding the role and significance of black musicians during the Civil Rights Movement is heavily reliant on this rich historical background.
The scholarly tone of the book may present challenges for casual readers. While the thorough examination and historical background are valuable, a more conversational approach could enhance its accessibility.
The comprehensive scope of the book occasionally results in a lack of clarity. Chapters covering extended historical periods or multiple individuals may overwhelm readers with the sheer volume of information.
Certain sections of the book revisit information, particularly regarding pivotal events like the March on Washington or the assassination of Dr. King. While these events are pivotal, their repeated emphasis can disrupt the narrative flow.
Eroms Ehiagwina's detailed and passionate work honors the black musicians who were both artists and activists during the Civil Rights Movement. Despite its academic tone and occasional repetition, the book's comprehensive coverage and insightful analysis make it a significant contribution to the fields of musicology and history.
I would rate the book three out of five stars. Talking about the errors, the book has undergone exceptional editing.
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Rhythm of Resistance
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