Official Review: Ray Ryan by Aiden Riley
- jhollan2
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Official Review: Ray Ryan by Aiden Riley

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Ray Ryan reads like an unedited first draft, with little consideration of word choice or punctuation. It is littered with strange phrases and awkward run-on sentences or fragments. I am fond of semicolons and feel that they are a useful and often undervalued punctuation mark, but using eleven on one page is excessive. The overabundance of semicolons, colons, ellipses, and commas made it difficult to read and were very detrimental to the flow of the narrative.
There is no sense of purpose to the plot, just a meandering exploration of random points of Ray Ryan’s life. The author heaps misfortune on his character, surrounding him with abuse, violence, drugs, and death, but even at the end there didn’t seem to be a cohesive point to it all. There is a strange conversational tone to some parts, as if the character is speaking to the reader, which comes across as strange and jolts readers out of the narrative. The author also seems entirely uncomfortable describing physical romantic encounters and would have been better off to leave them out entirely, instead of halfway describing them and ending with phrases like “well, you know what happens next, right?”
Another thing Riley leaves unclear is the setting. While it is clear the story takes place somewhere in England, it takes about a hundred pages before he clarifies that the characters live in Nottingham. Despite Nottingham being a historic town with some distinctive architecture, there is no attempt to describe any of it to the readers. When they go on holiday, they visit a smaller town with golden sand beaches, but it isn’t until after they have returned home that the narrator tells us they had been in Newquay. The lack of certainty over where the events are taking place was strange and fit in with the vague tone of the rest of the story.
It is clear that while the subject matter is fairly dark, the author has no experience with or understanding of topics like drugs, addictions, or cancer. The early part of the story reads like a bizarre morality tale of the dangers of marijuana, the basis of which seems to be that doing drugs will lead to shadowy drug dealers beating you up and forcing you to work for them. When the father is revealed to be an alcoholic, the prevailing sentiment is that if he loves his family, he will stop drinking. Riley completely glosses over the complexities that make up addiction and simplifies it into an easy choice. When a character is diagnosed with cancer, she dies from it the next day. While this is not outside the realm of possibility, it is far from the norm and felt like a plot convention that the author couldn’t be bothered to research further.
At times, the melodrama of the plot reads almost as comedic, although that is clearly not the intention. The boys discover a stash of marijuana in the woods, and are stalked by shadowy figures in hoodies and dark cars, who force one of them to work for them for years to pay off the debt. Ray’s father owes money to a cliché Mafioso, complete with a dark car, henchmen, and a beguiling teenage daughter, who forces them to work off their debt in unscrupulous ways. The clichés run heavy throughout the novel, with no attempt to pretend they are something new.
Overall, I am giving Ray Ryan two out of four stars. I was not impressed with the writing and the plot didn’t hold my interest, but perhaps some other reader will find it worthwhile. Someone who is fond of clichés, melodrama, and plot-hole filled happy endings will find the book right up their alley.
***
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- amybo82
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- jhollan2
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- H0LD0Nthere
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It does indeed sound like the writer just needs more life experience and more practice writing and researching. I wrote a lot of trash when I was younger. I mean gobs of it. I hope he keeps writing and gets better at it, and if he happens to read your review, I hope it doesn't crush him but rather encourages him to work more on his craft.
- jhollan2
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- H0LD0Nthere
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Again, thanks for the review.
- LivreAmour217
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